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Up
until this point, I’ve looked up the advertisements that show how society
defines virtue in women and JJ has focused on those that display male virtue.
The Merriam Webster dictionary defines virtue as “conformity to a standard of
right: morality” and as “a particular moral excellence.” Most people want to
fit in with society and find their niche within the boundaries of predominant
ideologies and social constructs. Obviously, everyone is different and people
need to feel distinguished as individuals, but there is always a strong,
inevitable pull for people to line up their beliefs and actions with society’s
ideals. Since virtue is, as Webster says, conformity to a moral standard or
excellence, many people strive to be virtuous in the eyes of society; virtuous
acts and characteristics align with societal norms.
Advertisements
reflect social norms by showing people what’s cool, acceptable, and ideal in a
given society. They employ this strategy to convince people to spend money in
order to fit into society. In other words, watching an advertisement is like
sampling a smoothie at the ridiculously expensive but yummy smoothie shop in
Quincy Market. The smoothie is a mix of blended up fruits, juices, and yogurts,
but it has its own predominant taste- its own unique flavor. In the same way,
American society is a blend of many ideologies, beliefs, and opinions, and
these ingredients combine to form an overall flavor- the American mainstream
culture. Advertisements capture the ideologies of mainstream culture and reflect
them back to people as virtues.
For Her pens by Bic |
Given that
advertisements show societal definitions of virtue, the role of women in many
advertisements is disturbing. For instance, in a Bic Pen commercial, a helpless
tween girl anxiously asks the nearly empty halls of her middle school, “Does
anybody have a pen?” The girl is classically white and girly with light skin,
blonde hair, and a ruffled pink shirt and backpack. After she asks for a pen,
five boys hurry over and offer her their blue and black writing implements. She
rejects all of them. Sudden, however, the Bic Boy (a person dressed up as the
iconic Bic figure) offers her a pink pen decorated with hearts and swirls. She
excitedly accepts it, and the Bic Boy puts his arms on his hips, greatly
satisfied that he won the girl’s favor. The schoolboys stand around Bic Boy in
awe admiring that he just scored. Then the line of Bic’s “For Her” pens appears
in the ad, and each has pink or purple color. The male announcer’s voice says,
“With its fabulous styling and smooth writing, Bic For Her is the only choice.”
The ad closes with the girl pecking Bic Boy on the cheek in gratitude for her
super-duper pink pen.
At first glance,
this commercial is simply cheesy, but how does it participate in defining
virtue for females? First, the protagonist is a girl in need of rescue. When
she calls for help, a flock of boys come to try to save her. This aspect of the
commercial tells people that society expects girls to wait for boys’ help instead
of solving problem independently. The girl’s physical appearance and clothes
also immediately display the societal ideal of whiteness and un-challenged
conformity to female stereotypes, like wearing pink. Then Bic Boy comes to the
rescue, and the girl accepts the pink “For Her” pen he offers because of its “fabulous
styling and smooth writing.” The language of this slogan tells the audience that
the pen embodies ideals about what a woman should be: stylish and attractive as
well as smooth, unflawed, and un-confrontational. Finally, the girl kisses Bic
Boy to express her gratitude, which demonstrates that society values the girl more
as a sexual entity more than a sincere, thinking human being. Simply saying
thanks was not enough to show real gratitude because girl’s value comes from
her physical attractiveness, not from her thoughts. If thoughts mattered most,
expressing her gratitude with words alone would have been sufficient. This Bic
commercial defines female virtue as helpless, docile, and obsequious.
Approaching this
advertisement through Klein’s perspective, it is valid to argue that advertisements
create the brand of woman. Klein defines a brand as “an attitude, a set of
values, a way of life, a look, and an idea.” Even as advertisements create
brands for products, they construct the brand of females. Commercials like the
Bic Pen one abound. Some subtly and others blatantly define the female “way of
life,” “set of values,” and virtue thereby branding what it means to be a girl
or woman in our society. Should people, the beings that invented brands, be
subjected to their stifling definitions along with products like pink Bic Pens?
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